🔗 Share this article Pure Potential or a Pristine Problem? The Color Authority's White Annual Hue Sparks Backlash. The title of Colour of the Year goes to Pantone's latest Colour of the Year. For anyone who has spent a long time living in rental properties, staring at the same standard-issue magnolia walls and longing for injecting personal style to their home, Pantone's latest Colour of the Year might seem like a disappointing choice. This time around, the renowned color company has selected a shade of white as its annual hue. To be precise, the shade is called Cloud Dancer – a white described as "lofty" and "billowy" which "functions as a symbol of calming influence in a society re-learning the worth of stillness". It signifies the initial instance a pure white has been chosen as the Colour of the Year, and it has raised more than a few eyebrows. According to Pantone, Cloud Dancer "is not just a colour, it's a philosophy" and embodies a widespread desire to decelerate, reset and achieve serenity after years of aesthetic chaos. An entirely white interpretation of Pantone's Cloud Dancer – serene in theory, stressful if you drink red wine or coffee. But some critics have dubbed the decision as "out of touch", arguing that promoting minimalist and pristine white spaces can seem distant from the smaller, lived-in homes everyday individuals call home. Some observers contend that presenting white as an ideal introduces racial undertones, causing discomfort during continuing societal dialogues about race and representation. Clinical or Calm? Designer Chris Beaumont says the counter-reaction transcends surface appeal, stating that white carries cultural undertones and is rarely a neutral choice. "The color white sends a message," he says, shaped by a ten-year period of minimalist celebrity interiors – most famously Kim Kardashian's stripped-back home – that came to epitomize "affluence, control and removal from chaos". He elaborates that white is "not intended to inspire but taking care not to offend", with Cloud Dancer embodying "restraint, virtuous simplicity and the notion that neutrality denotes goodness". According to Chris Pantone's choice for 2026 is "misguided". The designer cites the pandemic as a defining period in how people interact with their homes. "Almost instantly they became our offices, sanctuaries and sources of stability," he says, noting that in this context, directing the Colour of the Year towards "more visual emptiness feels rather out of step". Rather than providing calm, he contends white now threatens to amplifying "a feeling of emptiness", especially when combined with harsh, sterile lighting. 'Sterile Sensations Lara Clark, a UK-based interior designer, agrees and says Cloud Dancer "doesn't really read as a colour" and is "completely rejected for me". While it may suit extremely sparse or architectural spaces, she says bright whites rarely create calm in real homes. "An image of tranquility in a styled shoot can easily seem sterile at home," she explains. "The color white may seem harsh and unforgiving and you wouldn't wish your home to emit clinical feelings." According to Lara using white in real homes can create a sterile feeling. She adds that "homes should spark joy and be inviting and lived-in, and this hue feels quite removed from that." Beaumont expresses a desire that homeowners will disregard the Pantone Colour of the Year in preference for "full-scale dopamine décor", using vibrant hues to express individuality. The vice president of the Pantone Colour Institute commented that people "have varied interpretations" to the significance of the colour, but it was chosen as it "works seamlessly with everything around it, offering a refined neutrality that feels intentional and versatile". Beginning in 2000, Pantone's Colour of the Year has become a significant industry signal. Past choices have featured the optimism of a vibrant pink-orange, the serene assurance of Classic Blue, the vibrancy of Viva Magenta, and most recently more gentle, emotionally driven tones like Peach Fuzz. These colours don't just live on style predictions - they appear in clothing lines, beauty launches, interiors, product wrapping and even consumer electronics, shaping how products are sold and how consumers imagine the year ahead. Cosmetics previously released a collection based on Pantone's 2015 Colour of the Year - a rich red-brown. A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may seem simple, "this specific hue seems gentle and elegant rather than stark". In contrast to those who say the colour is boring, the expert sees it as "adaptable" and says it's best used in "bedrooms and living areas where you want a serene, calming atmosphere". "Even if you don't want to repaint, you can incorporate the colour into a room with pillows, blankets and curtains." Pantone's Colour of the Year for 2025 was a soft brown which "promotes a pure and organic approach to indulgence". Interior designer Another professional says although he was taken aback that Pantone's pick this year was "essentially the lack of pigment", it is a bit like a basic flavor, in that "it is universally accepted but it's nobody's favourite". He can see its benefits, noting that white can work particularly well as a backdrop for architectural details like panelling and curved entries which is a "growing trend in contemporary houses". In apparel, white has long been a staple rather than a bold declaration and as a Colour of the Year it poses a different challenge to designers more familiar with bold shades. Fashion consultant A styling expert says championing white seems "less about novelty and more concerned with purpose", reflecting a shift towards sophistication after years of trend overloads. Oriona says white is a difficult colour to wear successfully in fashion. "The color white compels designers and wearers alike to focus on shape, scale and quality, there's really no room for error," she explains. But she continues that it also carries presumptions around self-image, lifestyle and advantage, stating: "When white is viewed as something only a limited subset of people can wear well, it becomes divisive." She says the industry is already cognizant of the uncomfortable undertones tied to lauding white as an aspirational standard, particularly amid continuing conversations about representation and accessibility, and the real test will be whether "brands address that complexity authentically, or simply aestheticise the colour". A Reflection of the Times Style consultant Another expert concedes the choice initially shocked her, given Pantone's history of bold colours, but says it reflects a authentic change and aligns with a broader sentiment of "quiet luxury